Pixie Styx

    Beltane Story

    Friday, May 2, 2008, 07:27 AM [General]

    A day late - what can I say?  Someone posted this to one of my groups and it's so beautiful that I wanted to share it! 

    Beltane Story by Blayze

    A man stands at the bottom of a large hill. He is cloaked in verdant green. 
    Flowers and vines growing amongst the folds. He is crowned with antlers of
    many tines standing tall and proud from his brow. His skin gleams with
    patterns of gold, copper and bronze and he carries a silver flame headed
    spear encrusted with filigree of silver wire and green enamel.

    It is mid-morning and the man appears healthy and well rested, yet there is
    longing in his eyes. He begins to climb the hill, cradling the spear to his
    breast. As he climbs he throws his cloak over his shoulders and it can be
    see that he wears only a loin cloth beneath it. The climb is a long one as
    the path winds about the hill. Halfway up the hill he comes across a clear
    spring trickling amongst the rocks on the side of the hill. The rocks have
    formed a small, shallow, clear pool amongst the greenery. He cups his hands
    and drinks from the well, carefully he cleans the spear with the clear
    waters, wiping the spear dry gently with his cloak. His touch is tender for
    so seemingly powerful a man. He dips his antlers in homage to the well and
    continues his climb up and around the hill.

    At the top of the hill is a circle of standing stones, some rough hewn and
    some smooth and sensually curved. The grass is carpeted with wild flowers
    and his nostrils flare as he picks up the heady sent of summer just begun.

    The man moves with grace and regal bearing to the centre of the circle. The
    sun has reached its zenith and the hot rays beat down upon the golden skin ,
    reflecting from his bronze coloured hair. Reverently he lays the spear upon
    the ground and with his hands begins to dig a small hole in the grass. He
    gives a mighty cry, half keen, half lust and when the hole is deep enough,
    he picks up the spear once more and plants the base into the ground. The sun
    gleams upon the silver flame of the tip.

    When the spear is emedded in the earth, the ground gives a tremor and the
    man struggles to stay upright. The stones around him begin to crack. The
    sound of breaking stone rending the air like thunder. The man closes his
    eyes and kneels down before the spear . From inside the broken standing
    stones emerge equal numbers of flower crowned maidens and young men all
    naked to the sky and sun except for ribbons wound about their waists. White
    for the men, red for the women.

    Slowly they emerge from the stones and surround the kneeling man. One by one
    they unwind the ribbons from eahc other's waists and tie them to the head of
    the spear, trailing the ends out along the ground. They touch the man and he
    stands. They take the cloak from him and lay it along the ground where the
    flowers and leaves rise up in a whirlwind and scatter to form colourful
    designs upon the naked skin of the maidens and youths.

    The man's loincloth is removed also, a length of golden material that forms
    into a sunbeam, illuminating the longing in the man's face.

    The young men and women motion to the man to stand against the spear, his
    legs entwine it, his arms wrapped about the haft, his lips upon the silver
    flame.

    The breeze picks up and makes music amongst the wildflowers and grasses. The
    young men and women each take up a ribbon and begin to dance, weaving their
    ribbons against the man as they spin.

    They dance and weave, dance and weave to the beautiful music of the wind,
    ever weaving the man the silver spear toegether. Finally all that can be
    seen is a man shape woven into the red and white ribbons.

    The women and men dance away from the ribbons and make one turn around the
    top of the hill, dancing in and out of the remnants of the standing stones.
    As one they move back to their ribbons and begin to dance in the opposite
    directions from before, unweaving the ribbons. A glimpse of pale moonbeam
    can be seen bent against the burnished bronze hair of the man . As the
    dancers unweave the ribbons they see that the man is now embracing a lovely
    maiden who shines with power. The spear has vanished and their naked bodies
    are entwined skin to skin, heart to heart, moving to the rhythm of the
    dance. Joy flows from them like the ribbons. The lovely woman is wearing a
    crown upon her head to which the red and white ribbons are tied. She is the
    Queen of the May and the man is her King.

    As the ribbons unwind the couple's hands explore each other and their lips
    are locked together in a passionate kiss.

    The young men and women slowly drop their ribbons to the ground, laying them
    gently upon the grass. Lines of power can be seen flowing from the ribbons
    out across the land. The young men and women move to the border of the stone
    rubble. The day is turning to night and as the dusk settles, great bonfires
    can be seen joining the lines of power from hilltop to hilltop as far as the
    eye can see. Still the King and Queen embrace as fertility flows across the
    land, following the lines of ribbon, light and flame. They are as one, their
    limbs entwined like the ribbons of the sacred dance.

    The young men and women pair off and entwine with each other. Slowly the
    stones reform around them, spirals of rough and smooth rock encasing them.
    The King and Queen's embrace ends and they slowly draw apart. The Queen
    removes her crown of ribbons and draws the ends of the ribbons close to her.
    Still the fires blaze in the distance. She wraps the ribbons around the
    King's body where they begin to harden into armour. The armour takes on the
    bronze, copper and golden hues of the King's body. Naked no longer he is
    once again clothed in power and protection.

    The King takes the crown from her and reverently places it upon her moonbeam
    hair.

    The Queen moves back from him and it can be seen that she has a rounded
    belly, pregnant as the land is pregnant, fertile as the land is now fertile.

    The King reaches into the ground and draws the land like a cloak around her
    body, she sinks to the ground in its embrace, a smile of contentment upon
    her lips. She is cloaked in the wildflowers and grasses, a gesture returned
    in love.

    He kisses her once more as night envelops them, glowing bonfires on every
    hill slowly winking out, one by one.

     

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    Beltaine Blessings

    Wednesday, April 30, 2008, 12:56 PM [General]

    beltane

    green
    spilt out into the meadows
    running into every being
    filling us up with spirit
    tumbling
    the pulsing red life of the earth
    in the smoke of the firecircle
    i saw my demons scatter to the skies
    dissolving into the midnight air
    there is nothing but the sun
    the moon
    in perfect equilibrium
    unreal yet grounded
    alone in body, full in spirit
    love

    Written by Lady Lissar                       

     

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    Find Your Grail

    Monday, April 28, 2008, 12:20 PM [General]

    This is a fun song with a great message.  Everyone's got the grail inside them; it's just a matter of finding it.  And doesn't Tim Curry sound like the Cowardly Lion?

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    Somnambulance

    Sunday, April 27, 2008, 08:00 PM [Creative Writing]

    Sestinas follow a strict pattern of the repetition of the initial six end-words of the first stanza through the remaining five six-line stanzas, culminating in a three-line envoi.  (And, let me just say, this was trickier than I thought it would be and I'm not sure it's quite finished yet.)  The form is as follows, where each numeral indicates the stanza position and the letters represent end-words:

    1. ABCDEF     2. FAEBDC     3. CFDABE     4. ECBFAD     5. DEACFB     6. BDFECA

    7. (envoi) ECA or ACE

    The envoi, sometimes known as the tornada, must also include the remaining three end-words, BDF, in the course of the three lines so that all six recurring words appear in the final three lines. In place of a rhyme scheme, the sestina relies on end-word repetition to effect a sort of rhyme.

    I don't usually write poetry and this is my first attempt at a sestina.  The subject of sleepwalkers/living dead/sheeple has come up a couple of times lately, most recently in Cerberus' blog, so I thought I would post this poem.  Freeback and critiques are always welcome.  (Just be kind, please!) 

    Somnambulance

    Not quite asleep, yet not quite awake;

    They go through life like the living dead.

    They don't even realize they're not alive

    And never take the time to stop and think.

    It's so much easier to perpetually sleep.

    They can't even bring themselves to dream.

     

    The living dead don't dare to dream

    Because they're too afraid to be truly awake.

    They don't know to be awake is better than to sleep,

    But it's much more difficult than being dead.

    Because when you're awake you have to think

    And make a conscious effort to be alive.

     

    The truly living prefer to be alive

    But that doesn't mean they don't dream.

    It simply means they choose to think

    And they know the real value of being awake.

    The truly living feel sorry for the living dead

    And pray one day they'll wake from their sleep.

     

    By going through life always asleep

    They miss out on what makes us alive.

    Sense is dulled and imagination dead

    With no creativity to even dream.

    For to live life fully is to be awake

    And aware of things that make you think.

     

    To look for deeper meanings, I think,

    In subconscious dreams when you sleep

    And in daydreams when you're awake,

    Helps you to be open, aware and alive.

    The truly living dare to dream

    But that's too risky for the living dead.

     

    So they continue living as if they're dead,

    It's frightening when they're forced to think

    And gods forbid they should dare to dream.

    They think nothing at night when they go to sleep,

    Not knowing what they're missing by not being alive

    And asking questions about life and living awake.

      

    Thus the living dead keep their dreamless sleep

    While the rest think it's better to be alive

    And know the joy and magic of being truly awake.

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    Mold Porn

    Friday, April 25, 2008, 08:16 PM [General]

    For Heather ...

    I took this photo in Kensington Gardens in London.  The toadstools were growing on wooden steps that led right up into a hedge!  I might not have noticed these at all if it wasn't for a pair of cheeky squirrels!

    One of many photos from Hocking Hills (my favorite place in the world!)

    I found these on the property of the Willow Brook B&B, just outside of Columbus.  They keep peacocks!  (A few of the feathers found their way into my luggage ...)

    I found these golden toadstools in the woods at Stratford Eco Center.  A couple of years ago, I helped with some organic gardening there.  We were leaving and I thought I saw a patch of sunlight breaking through the trees in the woods.  I realized there was no sun out, so I yelled, "Stop the car!"  And I found these!  You could see the growth trail through the woods.  The trail ended under the tree. (Photo quality not so great from cell phone.)

    More photos from another trip to Hocking Hills, sometime in September of 2006 (maybe).  I think this first photo is my favorite because they look like eggs in a nest.  I couldn't have arranged that photo op better.

    This photo is from the camping trip to Buck Creek State Park last fall.  It was taken on the bike path somewhere between the park and Springfield, Ohio.

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